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TRIAL CAM VITALS - SUN - WIND - ANGLE
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SUN BEHIND
CAMERA
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FACE
CAMERA DOWNWIND
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PLACE
CAMERA AT AN ANGLE

This is a set I made recently at a hole – camera was
8m from the hole, a top class setting.
If you are using a sound lure to attract predators
he will approach your caller from downwind to try
get an idea what is making that noise – you also
want a rising sun behind the camera so it don’t
blind the camera at the wrong time! And remember to
use an angle, as you will cover more area and it
will give the camera more time to take photos. If
the camera was square to the area you are targeting
it won’t give you such a large field of view.
This is a point I speak about all the time, in fact I
cant talk about it enough, it is very important to
achieving success with trail cams, especially when you
are using a LURE with sound to bring critters to your
camera…..
For best results ALWAYS place that camera in a
direction that gives an angle and try as hard as you
can to make sure the sun will come out behind the
camera and also try as hard as you can to face the
camera downwind.

This photo shows the camera set at an angle towards a
suspected jackal hole, it turned out to be dead but
gave many other pictures of other critters. The sun
was behind the camera, look at this rabbit, you can
clearly see the shadow on his left, and at 7-00 in the
morning the sun is low, so this is why the photo came
out perfect, if the sun came out from Mr Rabbits left
we would have NO PHOTO and the sun rays would blur it
all out.

LOOK INTO THE MIND OF A JACKAL-
He is trotting along in the Karoo and suddenly he
hears tweet tweet tweet, on and off – he stops looks
around and assesses the situation, the scoundrel then
decides it sounds like food and begins his approach.
He circles the sound from a distance and approaches
the tweet tweet from downwind to get a smell of what’s
happening etc etc etc etc…..
So, placing your camera facing downwind and at an
angle you will see him approach from far and the
camera being at an angle you will have him in the
cameras lens more often, and the electronic bird sound
placed dead centre of your photo area will get you
100% photos of that jackal working your setup.
Running a VIDEO is better than a photo in this
situation as it will show a jackal’s body language and
it will tell you more about his demeanour. The more
you can get from a video / photo the better and it
will tell you a lot.
Look at a simple photo like this- what does this
picture tell us? It is pretty cool to study photos /
videos.

Without looking at the time on the photo, look at the
shadow below the birds - it is midday, the shadow is
directly below the birds.
The birds are very close together while eating my
bait, this means various things, that they are relaxed
and know that hole behind them is predator free, they
are all looking the same way (they have backs to he
hole) meaning they know full well the hole again is
redator free, although the rear bird is a watchman,
look at his stance and angle, he is a look out and the
others eat, but as said all together in a bunch not
spread out. Birds walking or landing will be spread
out, this closeness in the photo means they have been
here a while already.
BAD CAMERA SETTING
Here is another photo of the same jackal hole,
NOW LOOK
AT THIS BAD SET UP CAMERA! See how
badly this camera would be if set like this, you would
not capture much due to a very bad
ZERO
angle.

Here Cornus took a photo 1,5m from the hole looking
square at the hole, so if this was how the camera was
set you would get no photos at all. The predators will
be inside and out or past the hole before the camera
will fire ALSO the camera because it’s square to the
hole does not give you a wide field of view and you
can’t see much at all.
Trail camera setting is like cage trapping for cats,
you must look over the spot you intend to film and
work out wind, best angles and the sun.
LURE
By placing a lure that squeaks etc will lure a critter
to your camera setting and make life easier to get a
photo, but you will need to have the angles correct to
afford you a chance to get a few photos before the
critter walks past your set, also a lure will keep the
critter in the camera frame a little longer. I use
Edge Expedite electronic lures, they work very very
well.
GENERAL
The 3 pointers are extremely important for good
results, if you can master angle, sun and wind you are
home free, it is pretty simple to do it, sometimes it
isn’t possible to get all 3 correct, but camera angles
are important.
If you can’t set a camera with all 3 important things
here is what I would rate as first to last;
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Angle – FIRST AND VERY IMPORTANT
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SUN – As a second option
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WIND – as a third option.
ALWAYS look carefully at the angle, that’s very
important.
BAITS / LURES
Here is a list of baits I use to attract critters to
my camera;
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Tin pilchards
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Water mixed with anchovy paste
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Marmite
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Fish emulsion paste
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Feathers hanging in a tree or something nearby
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Electronic bird chirping lure
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Electronic bird that chirps and turns
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Decoy owl with bird chirper underneath
Setting a camera at a crossroad here;

On courses guys love to get involved with trail cam
settings, it breaks the classroom boredom of lectures
and gets you into the field to set a camera or two.
The only problem is on a course you have very little
chance of getting a jackal on a camera as far too many
guys walk all around the area and leave smells, thus
reducing your chances by 99%.
EMEMBER to always have a piece of cloth with you to
use as packing between a camera and the pole or
tree, as the angle will be incorrect and it will
need propping up to get the laser to zero in on your
area.
I also take a hammer and nails with, in case I need to
hit in nails to a fence post etc to help set a camera
to, having the extras on hand helps in case you need
them.
Setting the camera before fixing it to the wooden
upright. Note how Evert is smiling, the
guys really enjoy camera placement on courses, I love
setting them, it’s really exciting!

THESE PHOTOS TAKEN BY CORNUS DU PLOOY
Here are a few pictures of settings at a previous
course we did, it is great fun setting cameras.
This spot was at an angle covering a crossroad and was
in a setting that looked very catty, it was easy to
set the camera here as we had many fence posts etc, it
was just to get the sun, wind and angle correct. I
used an electronic lure on this set to lure critters
into camera range.
I used a 140 Moultrie Camera here, I had a 160 before
but it developed a problem so I replaced it with this
140. For a 4 MEGA PIXEL CAMERA IT TAKES GREAT
PICTURES.
If you look carefully on top of the camera you can see
how I have put camo netting behind the camera between
the camera and the post to angle the camera slightly
down, it is easier using netting as it is very easy to
shape and angle a camera. The camera has a turn thread
that has a spike to angle it but using cloth is far
easier.

These Moultrie cameras are dead quiet and when they
fire to take a picture no animal will even know they
had just been captured on film, the cameras are dead
quiet.
What I normally do on a set, is after I have set up
the camera and its all ready to take pictures I make
it fire once, then I know it is working ok, the
batteries are not really an issue, a new set will run
3 days and my camera still says 94% battery level, it
don’t draw much power, it draws more on a video
setting.

THINGS TO KEEP WITH YOU TO SET CAMERAS
This is a list of things I keep in the truck to help
mount or set a camera;
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Extra 4-5 inch round pole to affix to a wire post if
no stump or tree etc
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Cable Ties
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Double sided tape ( 1 roll)
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Tripod
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Lures
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String / rope
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Wire
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Nails
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Hammer
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Pliers
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ENJOY TRAIL CAMMING!
JUST FOR FUN
Check this birds body language, he has just landed or
come into this area, he is stretching forward to that
hole, trying to see or hear any activity, is unsure of
his surroundings and is on high alert! Just look at
this picture, you can actually feel his anxiety!

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